Tuesday, January 26, 2010

Art scene ~ Household Saints: African Spirituality in Cuban Art & Culture, URI Feinstein Campus Gallery, Providence

University of Rhode Island
Feinstein Providence Campus
Gallery


The gallery is actually the halls of the Feinstein Campus, which is great for exposing the students to art, which they might not go out of their way to see. When I went there tonight, I learned that, starting next week, URI student ID will be required to get into the building. That will make visiting the gallery kind of tricky if you're not a student or faculty member. That's disappointing, since I just discovered this gallery and was looking forward to seeing upcoming exhibits.

The exhibit explores the impact of African culture and spirituality on Cuban culture and its representation in art. Much of it is based in Santeria, a major religion and cultural influence.

Santeria was created when Africans were brought to Cuba as slaves and forced to practice Catholicism. The Catholic saints came to have dual meanings among the Santeria, representing both the traditional Catholic saint and standing in for the traditional African gods, who had physical forms and also represented natural forces.


Here are a few of the works that really caught my attention:
Household Altar to Oya
A Household Altar to Oya, the Gatekeeper of the Cemeteries, governor of the dead, overseer of winds, embodiment of thunder, lightning and the Nigerian River.

Here is another representation of Oya, by Selena Gonce
Oya by Selena Gonce

Gonce also made this representation of Babalu Aye, "Father of the World." He is the overseer of diseases and epidemics.
Babalu Aye by Selena Gonce

This madonna-like acrylic is called "Yemaya."
Yemaya con Palmac
Yemaya is the spirit of motherhood and is associated with the moon and ocean.

Jover created this series of Virgin and Child
Virgin and Child series by Jover

Another series by Montebravo shows the "Reina" (Queen) in various incarnations.
A series of Reinas by Montebravo

I thought this one was fascinating. It's called "La Mano Poderosa" and means "The Powerful Hand." It's made of scrap metal, I think. Except for the icons at each fingertip, which are plaster. The background looks like it's made of flattened soda cans, and I wonder if the brands might be significant in Cuban culture.
La Mano Poderosa

Finally, one of my favorite pieces. The card said it's a triptych of Babalu Aye, but it looks more like a female to me. Perhaps another Reina.
Triptych of St. Lazaro, Babalu Aye, Ochun by Armando Torres

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